I love a good bit of door furniture, and it doesn't come more divine than this over the top creation discovered in the Bishop's palace at Wells. I'm also rather keen on that nice muddy paint colour too. What I find delicious about this ornate door handle is that it is utterly beautiful, yet surprisingly uncomfortable to actually use... some fiddlesome door funiture for fine fingered clerics... argh! couldn't help the alliteration there!
I'm finding that I keep coming back to this image not because I want a door like this, but because it is tickling away at a couple of ideas.
The first is for the beady alternative to the metallic bronze, silver or gunmetal, my staple metallics so far. I have put in a request with Miyuki for an antiqued copper (so far they have a nearly OK one but only in size 11 seeds and not the same in 15's)... most of the gold beads are all just too gold, brash and harsh, so I love the pale as straw colour of the metalwork in my picture. The door paint is another colour I keep seeking. I have just a pinch left, they are matt, mushroom grey and add gravitas to all other colours, but obviously out of production, sigh!
I also return to this image because it's so 'homage to' Pugin. Divine symmetry is snapped off and the keyhole aligned to a gap in the tracery, rather than designed for this particular door... so was this a piece of Victorian Gothic envy? Pugin was responsible for influencing a generation, as architect of six cathedrals and forty churches, whereas this ecclesiastical building had already been standing for 700 years. I suspect that someone might just have sneeked in a few twiddly bits to keep up with fashion.
Finally I love this image because it is singing pendants, bracelets and other design ideas which are safe in my sketchbook until I have beady time and some pale gold beads.