Pink and pretty

Acantha, spiky lariat workshop

So that's really not me at all is it, pink and pretty. OK so the idea is... I wanted to try some new ideas but working in a set of colours outside my 'comfort zone' to see if different things would happen.
First is Acantha (Greek for thorn, the nymph who fended off Apollo too).
The Acantha is a divining rod, a dowsing for happiness lariat. Part of the symbols series, and using lots of lovely Albion Stitch. I also used some adorable 2mm Czech glass pearls and some of the Silver silk chain. Always good to add in new products... plus some of the lovely Czech spikes too.
Go back, 'Symbols series'? yes, a new adventure in Albion and combined stitches is the Symbols series, a kind of continuation of my Treasures and talismans classes. My love of antiquities and story telling combined into one new exciting project for which Acantha, The Time Traveller's Compass, and a few more pieces are a little part... 'exciting no?

Estelle bracelet, sparkly arm candy for fun.      

So having started thinking about what workshops I'd like to be teaching next year, I carried on playing with the pink and pretty idea and came up with (hopefully not too similar to anyone elses?) a really quick and easy bezel that can be worked to capture Swarovski stones of different sizes.... so far a cute little bracelet and necklace with a pendant set, but bound to be worked on some more...
Mostly though I'm happy that the experiment worked, I'll be happy to go back to my preferred colours... but pink is definitely the new accent colour... or maybe a dark plum...

Estelle pendant, variable bezel to fit
different size Swarovski stones.

Day trip to Wells

Cloister, Wells Cathedral

I love going to Wells, the saturday street market is great, lots of really good food stalls too. But this time, we decided to be tourists and visited the Bishops Palace and grounds. How weighted with history are these sheltered and moated grounds. Most of the centre of Wells is like a film set for a medieval or gothic drama, specially f you know which alleys to wander through. The twin towered cathedral is huge and solid from the outside, etherial and timeless inside.
The palace grounds are beautiful, peaceful and calming in the soft English sunshine. There is the little bell that the swans have learned to pull at a certain time, to be dutifully fed through a window above. Or you can go play Robin Hood on the ramparts overlooking the moat and the Bishop's see, as in see all that? it belongs to the church, see?

The Wells pool with the Cathedral beyond

Also in the grounds are the Wells. This is the water source for the whole town.
four million gallons of water a day bubble up in several different spots on the floor of this pool, it is mesmerising to watch. Yes, technically springs, but called Wells in this spot for as long as anyone can remember... undoubtedly a Somerset thing.
So I love the sense of history, I am comforted by the longevity of the buildings, the continuity of worship and ritual, even by the stories on the memorial plaques that bring the dead back to us as real people who strived and achieved, or not, just as we do. But just tickling away like a naughty whisper is... why did they build the church on top of the only water source in the region... and the awful feeling of knowing exactly why.
Back in the sunshine, we sit and enjoy coffee and I doodle some motifs to add to my collection and the story about talismans. Here are two of the pieces that began the idea.

I was educated in a convent school, which I loved and hated in equal parts. One summer then nuns were told to hand in their large ornate and very gothic crucifix pendants, which were to be replaced with smaller far more modern brushed steel crosses that were almost not crosses at all. I could see that some nuns were profoundly upset to loose their iconic talismans. Not comfortable with having to build a relationship with a new symbol. This momentary glimpse into lives which held so very few possessions gave me an insight into the subject that has become a fascination in my work.

Eye for Scrying

Scrying Compass

One of these two pieces will be a workshop next year, I've worn it a lot and have finally resolved how to offer a class without making everyone french knit a cord with very fine crochet cotton (! labour of love alert!), as I explore this theme more the shapes for the symbols resolve and rearrange. This will be a fun class too as we get into multiple layers and some really cute beaded end caps.

More from the treasure quest

New Albion Stitch 'Ancient Treasure'

I've made a promise to try and post more about the beading... much of what I do 'right now' is for next year, sometimes even further ahead, but these new pieces are ones I don't have to 'sit on', as they are my own experiments. Probably for workshops, they show just one of the several new developments in Albion Stitch which I'm currently working on. They are also part of my on going project about Treasures and Talismans.

I'm fascinated by the way in which we have objects of adornment which have different meanings. Collectively we wear objects like wedding bands, or religious symbols made in metals, these seem to be almost universal ways of publicly talking about our status or belief. Then there are more subtle symbols, insignia, badges, which show an affiliation to an organisation or a collective idea. next are the commercially generated tribal symbols of  logo's, band names, brand names and branded objects like watches, footwear and so on.

New Albion Stitch 'Pathfinder Talisman'

Next, an maybe more fascinating are the objects that have deep significance to just the individual, or the individual and a very few, often family members. maybe a coming of age locket, earrings, graduation gifts, or a unique piece of jewellery passed from generation to generation. Stop and ask anyone about their treasure and they will probably tell you a great story.
There are also objects which we give meaning to in other ways, prayer boxes, charms to ward off evil, attract luck, or jewellery engraved with secret messages.
From the first stone with a hole through it, threaded onto the first piece of braided elephant grass, we have taken simple objects and given them a new significance. Even now, finding a stone with a hole through it is considered by some to be magical luck, to blow a wish through the hole a guarantee of happiness.
My curiosity is piqued by our collective need for some kind of touch stone, how and why these come about and what, as a designer of jewellery I can usefully add to this story.
It is a rich and esoteric theme to plunder and a source of fascination. These two pieces are part of what I'm telling myself has a loose working title of 'Talismans for a Time Traveller', partly because I can dip in and out of all sorts of cultural references, going back in time, partly because I'm not sure yet where this little adventure is going.

D'you like the little cake tin I used as a prop? It is really dinky and quite old. For baking Madeleine sized cakes when it was shiny and new.