Rosy Ribbons

Vintage inspired beaded ribbon bracelets

I love the fashion for wrapped bracelets and my Huckeberry Buckle workshop is all about beaded ribbons and embellished buckles. I can now confess that when I first designed it was a working 'in theory' idea.
A beaded ribbon is not like a real ribbon, it is rigid, it takes up space, it needs to have room to move and it definitely hates being pushed in and out of a buckle repeatedly.
What followed was a search for a neat and dainty, yet everso discreet clasp that I could include in my design, getting me past the technical hitch stages and back into gorgeous design territory again.
Happily the 'in-line' clasps, which I now have in my little store, are perfect for any narrow beaded bracelet designs and have proved really popular. At shows I have a demonstration bracelet, which is a double or triple length wrap bracelet... can't tell you how many times I've been asked for the pattern!
So, the pattern is now included with all orders for in-line clasps, it's also to celebrate that I have a new colour of clasp in store now, to go with matt vintage bronze finish and shiny silver plate there is now a slinky dark shiny pewtery gunmetal colour too...mmm

Victoriana in Bead magazine

now that the latest issue of Bead magazine is on the news stands I can show and share the Victoriana floral locket. To create this Winter special magazine, Chloe the Editor invited designers to be inspired by an era, and I got Victorian.. which as y'all know is a perfect fit as I love all things vintage inspiration. I used my oval acrylic windows as templates and took the prettiest snippets from scans of old postcards which were saved by my Grandma. Pretty postcards like these were often posted in the morning and arrived by lunch time! I have one which was an invitation to afternoon tea that very same day, a testament to the power of a penny stamp and a great organisation; I guess they are also the forerunner of our emails and text messages.

Two Victoriana Lockets for Bead magazine

My 'Locket' has room for two images sandwiched between  acrylic windows, so is completely reversible. The project in the magazine give instructions for the embellished bezel, bail and a dainty beady ring, through which you can thread some ribbon to finish off the vintage look.

If you don't have vintage post cards, there are lots of on line sites offering free or very reasonably priced down loadable images, You can also spend a small fortune and many happy hours in craft stores choosing papers and ephemera in the papercrafting section.

Make a matching birthday card and gift

I admit happily to being utterly charmed by anything that is made personal, such as home made greeting cards and small hand made gifts. These will win my heart every time, so I'll definitely be using this design for some presents.

Divine iron inspiration

a mystery to be solved

I love a good bit of door furniture, and it doesn't come more divine than this over the top creation discovered in the Bishop's palace at Wells. I'm also rather keen on that nice muddy paint colour too. What I find delicious about this ornate door handle is that it is utterly beautiful, yet surprisingly uncomfortable to actually use... some fiddlesome door funiture for fine fingered clerics... argh! couldn't help the alliteration there!

I'm finding that I keep coming back to this image not because I want a door like this, but because it is tickling away at a couple of ideas.

The first is for the beady alternative to the metallic bronze, silver or gunmetal, my staple metallics so far. I have put in a request with Miyuki for an antiqued copper (so far they have a nearly OK one but only in size 11 seeds and not the same in 15's)...  most of the gold beads are all just too gold, brash and harsh, so I love the pale as straw colour of the metalwork in my picture. The door paint is another colour I keep seeking. I have just a pinch left, they are matt, mushroom grey and add gravitas to all other colours, but obviously out of production, sigh!

I also return to this image because it's so 'homage to' Pugin. Divine symmetry is snapped off and the keyhole aligned to a gap in the tracery, rather than designed for this particular door... so was this a piece of Victorian Gothic envy? Pugin was responsible for influencing a generation, as architect of six cathedrals and forty churches, whereas this ecclesiastical building had already been standing for 700 years. I suspect that someone might just have sneeked in a few twiddly bits to keep up with fashion.

Finally I love this image because it is singing pendants, bracelets and other design ideas which are safe in my sketchbook until I have beady time and some pale gold beads.

late summer roses

My little green basket

Late summer is the best time, the warmed earth time, the ripening fruit time, and the very best time to see the last of the roses grown a little bit wild and reckless. Late summer evenings are the time to drink in the scent of roses. So, I was in a junk store the other day (when am I not, given the chance), and came across this delightful Wade Heath pottery ceramic basket. Many years ago I had a Wade Heath pottery rabbit... that got left in a garden, and which I fondly imagine hidden in a wilderness of overgrown weeds.
Technically a Flaxman Wade Heath ceramic. Wade Heath started in 1810, but split in the 1950's, one part becoming simply Wade and producing licensed character ceramics such as Disney and the 'Whimsies' ranges.
My newly acquired basket dates from the 1930's and has no real financial value, you can easily pick up Wade Heath ceramics for pocket money prices.
Who cares, it is a little snippet of history and of a particular shade of green glaze that anchors it firmly in time to it's production date. It is also a green that is quietly calming and allows flowers and foliage to show off.
The roses and hydrangea in the picture are fake! gasp! My dears with the summer we've had most of the roses gave up weeks ago, then ones left are just too brave to be picked.
I am a demon for slipping in a few fake flowers here and there... they are so beautifully made these days enabling you to do that whole, 'The gardener sent these up this morning for the house ma'rm', Downton Abbey type scenario; whilst actually living in a small cottage. It is also a great way to play colouring in when nature is sulking from a summer of rain.

Tangerine and duck egg blue

Harmony by Shelley

I adore, I drink in, I cherish. I think my love of colour may have had a starting point here...These  Harmony Dripware ceramics from the Shelley Pottery belonged to my Grandmother and now my Ma.
What they are is really not at all important, how they feel, silky, how the colours glow in different lights, first warm, then cool. How from all the different blends of colour in the range some discerning ancestress was drawn to this delicate and perfectly balanced mix of dove grey, duck egg blue, tangerine and burnt orange. Utterly of their period and yet timeless... these are the completely important things.
I like the way the eye traces their shapes, and how they live together, the comfortingly fat bellied ginger jar, the narrow topped volcano vase and the open throated conical vase, easy colouring book shapes. It pleases me hugely that they can be re-arranged to create shapes and shadows. I probably stared at them, as a tired/bored little girl, in a yorkshire 'best china cabinet' in the parlour, I know my eye often wanders to them as a grown up daughter visiting my Ma.  I've yet to find the beads in these exact shades... maybe I could be invited on a colour mixing trip to Japan?... or maybe they don't exist except in these glazes for a reason. So just share with me the joyfulness of this little bit of eye candy.

detail from ginger jar

Detail from conical vase

inside the ginger jar

Vintage chintz

Spiral Garden

Sometimes things are really crazy simple... when up till now you thought they were complicated. OK so one of the top all time fave designs that people like to buy is called Spiral Garden. It's a double helix spiral with a daisy chain decoration...
plus I show you how to join up double helix rope to make a continuous loop for bangles and necklaces. I love this design, I've made myself and my friends lots of different versions to wear over the years. It is genuinely a constant source of happiness for me that other people really love it too.

So there I was trying to work out an idea, and hit upon the most simplest ever way to make a garland of beady leaves and flowers spiral, without even trying. Gasp! I was so excited and eagerly tried it out on my 'not very good at beading' tester...
Aww! heartless you I hear you splutter into your coffee. No, not at all, she's a nearly beginner and loves to try out my designs and is perfect because she shows me all the places where I'm just assuming you'd know how to do stuff, which is really easy to assume if you already know how to do it... Oh c'mon, I pay her in beads too!
She loved the pattern too, which is sometimes how a new design is born.

Summer Garland, vintage pink

I've called it Summer Garland, inspired by Garden fetes and country weddings, cream teas on mis-matched china, and time worn favourite floral cotton dresses. You can see that once I had the design sorted out (the original sample, for reasons I won't get into, was bright yellow, navy blue and orange), I just fell in love with mixing up some retro inspired colour combinations.
So come and join the garden party, Summer Garland is available as a pattern, as a kit in vintage pink or vintage blue, and with additional materials packs too.

Easy Peasy Lemon Squeezy

More from the treasure quest

New Albion Stitch 'Ancient Treasure'

I've made a promise to try and post more about the beading... much of what I do 'right now' is for next year, sometimes even further ahead, but these new pieces are ones I don't have to 'sit on', as they are my own experiments. Probably for workshops, they show just one of the several new developments in Albion Stitch which I'm currently working on. They are also part of my on going project about Treasures and Talismans.

I'm fascinated by the way in which we have objects of adornment which have different meanings. Collectively we wear objects like wedding bands, or religious symbols made in metals, these seem to be almost universal ways of publicly talking about our status or belief. Then there are more subtle symbols, insignia, badges, which show an affiliation to an organisation or a collective idea. next are the commercially generated tribal symbols of  logo's, band names, brand names and branded objects like watches, footwear and so on.

New Albion Stitch 'Pathfinder Talisman'

Next, an maybe more fascinating are the objects that have deep significance to just the individual, or the individual and a very few, often family members. maybe a coming of age locket, earrings, graduation gifts, or a unique piece of jewellery passed from generation to generation. Stop and ask anyone about their treasure and they will probably tell you a great story.
There are also objects which we give meaning to in other ways, prayer boxes, charms to ward off evil, attract luck, or jewellery engraved with secret messages.
From the first stone with a hole through it, threaded onto the first piece of braided elephant grass, we have taken simple objects and given them a new significance. Even now, finding a stone with a hole through it is considered by some to be magical luck, to blow a wish through the hole a guarantee of happiness.
My curiosity is piqued by our collective need for some kind of touch stone, how and why these come about and what, as a designer of jewellery I can usefully add to this story.
It is a rich and esoteric theme to plunder and a source of fascination. These two pieces are part of what I'm telling myself has a loose working title of 'Talismans for a Time Traveller', partly because I can dip in and out of all sorts of cultural references, going back in time, partly because I'm not sure yet where this little adventure is going.

D'you like the little cake tin I used as a prop? It is really dinky and quite old. For baking Madeleine sized cakes when it was shiny and new.